Designed by Judith Nandor for Zsolnay, a traditional Hungarian ceramics manufacturer founded in 1953, this piece explores and reinterprets traditional Incan forms, translating them into a simplified and contemporary aesthetic language.The characteristic glazed green surface is achieved through the application of a technique known as eosin glazing, in which the ceramic is fired and vitrified using a compound containing hematoxylin and eosin (H&E). This process results in the distinctive metallic green iridescence that became a hallmark of Zsolnay’s production during the mid-20th century.