Branco & Preto
M1 Armchairs (2 units - pair), 1953
| Restored |
Solid Rosewood, Upholstery made of Grosgrain “Pinho e Preto” fabric.
Solid Rosewood, Upholstery made of Grosgrain “Pinho e Preto” fabric.
H 28.35 in. x W 23.63 in. x D 29.93 in. | SH: 17.25 in.
H 72 cm x W 60 cm x D 76 cm | SH: 43.8 cm
H 72 cm x W 60 cm x D 76 cm | SH: 43.8 cm
CO.BRP.004-001
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The M1 Armchair was designed in 1953 by Carlos Milan and produced by Branco & Preto, an architecture and design firm that opened in 1952 in São Paulo. Branco &...
The M1 Armchair was designed in 1953 by Carlos Milan and produced by Branco & Preto, an architecture and design firm that opened in 1952 in São Paulo.
Branco & Preto was one of Brazil's forerunners of interior architecture and modern furniture. This gorgeous armchair has a simple rectangular structure in solid Rosewood with comfortable upholstery composed of a seat and backrest in a single piece. These versatile pieces could be placed side-by-side as a two-seat piece, as appear in interior projects photos from the period.
The studio was managed by the architects Miguel Forte (1915-2002), Jacob Ruchti (1917-1974), Plínio Croce (1921-1984), Roberta Aflalo (1926-1992), Carlos Millan (1927-1964), and Chinese architect Chen Y Hwa. It operated for approximately ten years and marked the history of Brazilian design, becoming a reference for architects at the time – who visited the studio to learn about trends and discuss ideas.
Branco & Preto was one of Brazil's forerunners of interior architecture and modern furniture. This gorgeous armchair has a simple rectangular structure in solid Rosewood with comfortable upholstery composed of a seat and backrest in a single piece. These versatile pieces could be placed side-by-side as a two-seat piece, as appear in interior projects photos from the period.
The studio was managed by the architects Miguel Forte (1915-2002), Jacob Ruchti (1917-1974), Plínio Croce (1921-1984), Roberta Aflalo (1926-1992), Carlos Millan (1927-1964), and Chinese architect Chen Y Hwa. It operated for approximately ten years and marked the history of Brazilian design, becoming a reference for architects at the time – who visited the studio to learn about trends and discuss ideas.