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  • magazine
  • WORKSPACESMAG
  • CHAPTER I
  • CHAPTER II
  • CHAPTER III
  • CHAPTER IV
  • 1issuecane
  • STRAW AND TROPICAL LANDSCAPE
  • series
  • A deeper look into the art of restoration For this first edition, the chosen theme was straw, or cane, a...

    A deeper look into the art of restoration

     

    For this first edition, the chosen theme was straw, or cane, a generic name for a group of over 600 species of natural fiber, which have been used in household objects for thousands of years. Traditional communities around the world used to plait in order to fulfill their needs and according to their local, regional and cultural aesthetic standards. There is no doubt that we are living in a distinct society today, but it is interesting to point out which traditions have crossed generations and remain part of a handcrafted and historically sophisticated aesthetic imaginary. Straw plaiting has been passed along many generations, and is certainly one of the most beautiful manual practices.


    The values associated with the use of straw in furniture – as seat or backrest – are aesthetic and historical ones which are a bigger deal than the durability of the material. Therefore, the purpose of this first edition is to discuss the use of straw in different areas, but always focusing on Brazil’s history, socio-cultural relations and manual labor. The following images shed light on the patient and detailed work of the plaiter. A work that through the geometric overlap of thin, brittle and dry leaves creates resistance.


    We hope that these texts and images together can contribute to the appreciation of artisanal work applied to furniture and especially to the recognition of its social impact.


    Isabela Milagre - Curator

  • Ataíde, the Straw Craftsman To comprehend the Brazilian furniture production, one must look at the Brazilian house and its morphological...

    Ataíde, the Straw Craftsman

    To comprehend the Brazilian furniture production, one must look at the Brazilian house and its morphological aspects of it. This article presents the relations between the tropical landscape and domestic landscape. “A house without furniture is not a house, and it is a shelter, it is an ephemeral space for life”

  • CANE IN OUR FURNITURE

    • Joaquim Tenreiro, Cane Sofa and Armchairs, c. 1968
      Artworks

      Joaquim Tenreiro

      Cane Sofa and Armchairs, c. 1968
      | Restored |
      Solid Rosewood, Cane
      Sofa: H 28.34 in. x W 25.3 x D 24.6 in. | SH 12.6
      H 72 cm x 64 cm x D 62.5 cm | SH 32 cm
    • Celina Decorações, Side Table, 1960s
      Artworks

      Celina Decorações

      Side Table, 1960s
      | Restored |
      Rosewood, Cane, Glass
      H 23 cm x W 61.5 cm x D 61.3 cm
      H 9.05 in. x W 24.2 in. x D 24.13 in.
    • Carlo Hauner and Martin Eisler, Dining Table with Cane Top, 1950s
      Artworks

      Carlo Hauner and Martin Eisler

      Dining Table with Cane Top, 1950s
      Pau-marfim Wood, Cane, Glass
      H 29.33 in. x W 86.6 in. x D 35.23 in.
      H 74.5 cm x W 220 cm x D 89.5 cm
    • Sergio Rodrigues, Oscar Armchair (2 units), 1956
      Artworks

      Sergio Rodrigues

      Oscar Armchair (2 units), 1956
      | Original condition |
      Rosewood, Cane
      H 31,89 in. x W 27,56 in. x D 24,02 in. | SH 15,35 in. | AH23,82 in
      H 81 cm x W 70 cm x D 61 cm. | SH 39 cm | AH 60,5 cm
    • Fátima Arquitetura Interiores (FAI), Dining Chair (10 chairs), 1960s
      Artworks

      Fátima Arquitetura Interiores (FAI)

      Dining Chair (10 chairs), 1960s
      | Restored |
      Rosewood, Cane
      H 32,20 in. x W 17,40 in. x D 17,32 in. | SH 16,73 in.
      H 81.8 cm x W 44.2 cm x D 44 cm | SH 42.5 cm
    • Unknown Artist, Triangular Coffee Table, 1950s
      Artworks

      Unknown Artist

      Triangular Coffee Table, 1950s
      | Restored |
      Solid Caviuna, Glass, Cane
      H 49 cm x W 95 cm x D 95 cm
      H 19.3 in. x W 36.2 in. x D 36.2 in.
    • John Graz, Cane Chair with Armrest (pair), 1960s
      Artworks

      John Graz

      Cane Chair with Armrest (pair), 1960s
      | Original condition |
      Solid wood, Cane
      H 75 cm x W 56 cm x D 51 cm | AH 70 cm | SH 42 cm
      H 29.53 in. x W 22.05 in. x D 20.08 in. | AH 27.55 in. | SH 16.53 in.
    • Geraldo de Barros (Unilabor), Unilabor Chair MT552 (8 chairs), c. 1960
      Artworks

      Geraldo de Barros (Unilabor)

      Unilabor Chair MT552 (8 chairs), c. 1960
      | Previously restored |
      Solid Rosewood, Cane
      H 85 cm x W 42 cm x D 49.5 cm | SH: 44.5 cm
      H 33.47 in. x W 16.54 in. x D 19.49 in. | SH: 17.52 in.
    • Sergio Rodrigues, Lucio Chair (8 chairs), 1956
      Artworks

      Sergio Rodrigues

      Lucio Chair (8 chairs), 1956
      | Previously restored |
      Rosewood, Cane
      H 79.8 cm x W 47 cm x D 49 cm
      SH 43.7 cm
      H 31.42 in. x W 19.51 in. x D 19.3 in.
      SH 17.21 in.
    • Unknown Artist, Dining Chairs ( 6 units), 1950s
      Artworks

      Unknown Artist

      Dining Chairs ( 6 units), 1950s
      | Restored |
      Solid Caviuna, Cane, Leather
      H 34.64 in. x W 17.32 in. x D 19.29 in. | SH 17.32 in.
      H 88 cm x W 44 cm x D 49 cm | SH 44 cm

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Chelsea, New York

USA.10001

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USA.10001

 

Only by appointment

SÃO PAULO WORKSHOP AND

LOGISTICS CENTER 

R. Conde de São Joaquim

Bela Vista, São Paulo

01320-010
+55 11 94533-6975

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